Using either the poetry prompt (Johnson/Housman) or the prose prompt (Cyril Dabydeen) we looked at on Monday, write a 40 minute essay.
If you choose to write about the poems, notice that the speaker in Housman's poem is the twenty-two year old recognizing that the wise man's words were indeed wise. Housman's speaker comes from the point of experience.
Thank you for your hard work Saturday night and again this morning. You guys are so respectful and diligent. If it were up to me, most every one of you would receive college credit for this course. You have worked hard this year. I have watched your writing grow by leaps and bounds.
Remember, the AP exam is one test, given one day, for a three hour period, and you are expected to produce work that reflects your work ethic, your growth in deep reading, and your exceptional test taking skills. It's a tall order.
Know that I am proud of you no matter what! You are a joy to teach.
Blessings,
Mrs. Fox
Monday, May 5, 2014
Tuesday, April 29, 2014
For Thursday, May 1
For the following prompt. Set your timer; read and annotate; prepare; and write the essay.
For the following prompt: read; annotate; write an interpretive thesis.
2011 Poem: “A Story”
(Li-Young Lee)
Prompt: The following poem is by the contemporary poet Li-Young Lee. Read the poem
carefully. Then write a well-developed essay in which you analyze how the poet conveys the complex relationship of the father and the son through the use of literary devices such as point of view and structure.
Prompt: The following poem is by the contemporary poet Li-Young Lee. Read the poem
carefully. Then write a well-developed essay in which you analyze how the poet conveys the complex relationship of the father and the son through the use of literary devices such as point of view and structure.
A Story
Sad is the man who is asked for a story
and can't come up with one.
His five-year-old son waits in his lap.
Not the same story, Baba. A new one.
The man rubs his chin, scratches his ear.
In a room full of books in a world
of stories, he can recall
not one, and soon, he thinks, the boy
will give up on his father.
Already the man lives far ahead, he sees
the day this boy will go. Don't go!
Hear the alligator story! The angel story once more!
You love the spider story. You laugh at the spider.
Let me tell it!
But the boy is packing his shirts,
he is looking for his keys. Are you a god,
the man screams, that I sit mute before you?
Am I a god that I should never disappoint?
But the boy is here. Please, Baba, a story?
It is an emotional rather than logical equation,
an earthly rather than heavenly one,
which posits that a boy's supplications
and a father's love add up to silence.
and can't come up with one.
His five-year-old son waits in his lap.
Not the same story, Baba. A new one.
The man rubs his chin, scratches his ear.
In a room full of books in a world
of stories, he can recall
not one, and soon, he thinks, the boy
will give up on his father.
Already the man lives far ahead, he sees
the day this boy will go. Don't go!
Hear the alligator story! The angel story once more!
You love the spider story. You laugh at the spider.
Let me tell it!
But the boy is packing his shirts,
he is looking for his keys. Are you a god,
the man screams, that I sit mute before you?
Am I a god that I should never disappoint?
But the boy is here. Please, Baba, a story?
It is an emotional rather than logical equation,
an earthly rather than heavenly one,
which posits that a boy's supplications
and a father's love add up to silence.
Li-Young Lee
2011B Poem: “An Echo
Sonnet” (Robert Pack)
Prompt: Read carefully the following poem by Robert Pack, paying close attention to the
relationship between form and meaning. Then, in a well-written essay, analyze how the literary techniques used in this poem contribute to its meaning.
Prompt: Read carefully the following poem by Robert Pack, paying close attention to the
relationship between form and meaning. Then, in a well-written essay, analyze how the literary techniques used in this poem contribute to its meaning.
AN ECHO SONNET
To an Empty Page
Voice: Echo:
How from emptiness can I make a
start? Start
And starting, must I master joy
or grief? Grief
But is there consolation in the
heart? Art
Oh cold reprieve, where’s
natural relief? Leaf
5 Leaf blooms, burns red before delighted eyes. Dies
Here beauty makes of dying,
ecstasy. See
Yet what’s the end of our
life’s long disease? Ease
If death is not, who is my
enemy? Me
Then are you glad that I must
end in sleep? Leap
10 I’d leap into the dark if dark were true. True
And in that night would you
rejoice or weep? Weep
What contradiction makes you
take this view? You
I feel your calling leads me
where I go. Go
But whether happiness is there,
you know. No
Friday, April 25, 2014
For Tuesday, April 29
Write a 40 minute essay over "On the Subway", by Sharon Olds.
Include an introduction and interpretive thesis sentence. Keep in mind the exam strategies we talked about today.
Do the multiple choice selections in your packet from numbers 11 - 35. You will answer questions from the Heart of Darkness excerpt and the poem "That time of year..." When answering questions over the poem, think back to How to Read Literature Like a Professor. Time of year = time of life. The weather always means something, etc. For number 29, guess. We can talk about it Tuesday. I do not spend too much time on these definitions because these types of questions are few and far between.
You might ask your parents how they would feel about an Exam Cram Party at my place. This is what I am thinking:
Meet at my place at 5:00 p.m. or thereabouts on Saturday, May 3. We meet, play, eat. From 7 to 9, we have an intense "Exam Cram" for Question 3 of the Essay section of the test. This will involve reviewing a minimum of 5 works and mentally preparing for each. We will break into 5 teams, review the works, present our findings.
We will stop, play games, go for a walk, OR WHATEVER; then, we will meet back for an Exam Taking Strategy Session concerning the essay portion of the test, especially question 3. This will happen from 10:00 - 11:00.
At 11:30 p.m., you could choose to go home and rest up for church or stay the night. We would work out appropriate sleeping arrangements, etc. Students will need to head home or be picked up by 9:30 a.m. Sunday morning so I can fulfill my church responsibilities.
Include an introduction and interpretive thesis sentence. Keep in mind the exam strategies we talked about today.
Do the multiple choice selections in your packet from numbers 11 - 35. You will answer questions from the Heart of Darkness excerpt and the poem "That time of year..." When answering questions over the poem, think back to How to Read Literature Like a Professor. Time of year = time of life. The weather always means something, etc. For number 29, guess. We can talk about it Tuesday. I do not spend too much time on these definitions because these types of questions are few and far between.
You might ask your parents how they would feel about an Exam Cram Party at my place. This is what I am thinking:
Meet at my place at 5:00 p.m. or thereabouts on Saturday, May 3. We meet, play, eat. From 7 to 9, we have an intense "Exam Cram" for Question 3 of the Essay section of the test. This will involve reviewing a minimum of 5 works and mentally preparing for each. We will break into 5 teams, review the works, present our findings.
We will stop, play games, go for a walk, OR WHATEVER; then, we will meet back for an Exam Taking Strategy Session concerning the essay portion of the test, especially question 3. This will happen from 10:00 - 11:00.
At 11:30 p.m., you could choose to go home and rest up for church or stay the night. We would work out appropriate sleeping arrangements, etc. Students will need to head home or be picked up by 9:30 a.m. Sunday morning so I can fulfill my church responsibilities.
Wednesday, April 23, 2014
For Friday, april 25
Print out the two William Wordsworth's poems:
"The World is Too Much With Us" and "I Wandered Lonely as a Cloud"
Annotate both poems as if you are going to write an AP EXAM quality essay for each. When you mark a literary device~write in the margin your interpretation of the ld's purpose and meaning within the text. Remember our pneumonic device for analyzing poetry.
TP-CASTT
Title
Paraphrase
Connotations
Attitude-Tone
Shift
Title-revisit in light of study
Theme
Now, for each poem construct a quality thesis sentence that will propel a well-written essay over the text.
"The World is Too Much With Us" and "I Wandered Lonely as a Cloud"
Annotate both poems as if you are going to write an AP EXAM quality essay for each. When you mark a literary device~write in the margin your interpretation of the ld's purpose and meaning within the text. Remember our pneumonic device for analyzing poetry.
TP-CASTT
Title
Paraphrase
Connotations
Attitude-Tone
Shift
Title-revisit in light of study
Theme
Now, for each poem construct a quality thesis sentence that will propel a well-written essay over the text.
Thursday, April 17, 2014
For Wednesday, April 23
Answer the following questions on your own paper. Other than ACT III, you may paraphrase most of your examples from the film.
1. In Oscar Wilde's time, "earnestness"--sober behavior, a serious turn of mind--was valued as an important character trait. How does Wilde undermine this value? Consider when the characters are earnest and when they are not. How is the pun on earnest and Ernest seen throughout the play, as well as, how Gwendolen's and Cecily's fascination with the name Ernest, further this satirization?
2. At the very beginning of the ACT I, Algernon states, "I don't play accurately -- anyone can play accurately--but I play with wonderful expression". How does this comment establish a theme for the play? In what other ways through the play is Algernon not accurate but expressive? Are other characters also not accurate but expressive? Who and How?
3. How do the scenes of Algernon and Jack jostling over cucumber sandwiches (ACT I) and muffins (ACT II) suggest about their characters and their priorities? Explain how Wilde uses these props to produce a comic effect.
4. How does Wilde make The Importance of Being Earnest funny? Identify what you consider (so far) to be the most humorous part of the play, and explain your choice. (For this, think about language not the film's additions to Cecily's fantasy diary, etc.) Now think about the purpose of humor in this play. Find instances where Wilde uses humor to satirize some of the more ridiculous aspects of society.
important character trait. how does Wilde undermine this value? Consider when the characters are earnest and when they are not. How does the pun on earnest and Ernest seen throughout the play, as well as Gwendolen's and Cecily's fascination with the name Ernest, further this satirization?
Reread the final act of The Importance of Being Earnest. Then, focusing particularly on the play's conclusion, design a chart in which you label 2 to 3 examples of hyperbole, 2 to 3 examples of understatement, and 2 to 3 examples of irony. You can substitute a different literary device for any of the three if you would like.
Think about for Wednesday:
You will rewrite (with a partner) a contemporary version of Act II's scene between Cecily and Gwendolen in which they first meet ((467 - 598). Consider your setting for this meeting. Carefully rename your characters. What might they chat about? Pay particular attention to your characters' speech patterns. What do these suggest about your characters' beliefs and values, as well as those of the society they represent?
1. In Oscar Wilde's time, "earnestness"--sober behavior, a serious turn of mind--was valued as an important character trait. How does Wilde undermine this value? Consider when the characters are earnest and when they are not. How is the pun on earnest and Ernest seen throughout the play, as well as, how Gwendolen's and Cecily's fascination with the name Ernest, further this satirization?
2. At the very beginning of the ACT I, Algernon states, "I don't play accurately -- anyone can play accurately--but I play with wonderful expression". How does this comment establish a theme for the play? In what other ways through the play is Algernon not accurate but expressive? Are other characters also not accurate but expressive? Who and How?
3. How do the scenes of Algernon and Jack jostling over cucumber sandwiches (ACT I) and muffins (ACT II) suggest about their characters and their priorities? Explain how Wilde uses these props to produce a comic effect.
4. How does Wilde make The Importance of Being Earnest funny? Identify what you consider (so far) to be the most humorous part of the play, and explain your choice. (For this, think about language not the film's additions to Cecily's fantasy diary, etc.) Now think about the purpose of humor in this play. Find instances where Wilde uses humor to satirize some of the more ridiculous aspects of society.
important character trait. how does Wilde undermine this value? Consider when the characters are earnest and when they are not. How does the pun on earnest and Ernest seen throughout the play, as well as Gwendolen's and Cecily's fascination with the name Ernest, further this satirization?
Reread the final act of The Importance of Being Earnest. Then, focusing particularly on the play's conclusion, design a chart in which you label 2 to 3 examples of hyperbole, 2 to 3 examples of understatement, and 2 to 3 examples of irony. You can substitute a different literary device for any of the three if you would like.
Think about for Wednesday:
You will rewrite (with a partner) a contemporary version of Act II's scene between Cecily and Gwendolen in which they first meet ((467 - 598). Consider your setting for this meeting. Carefully rename your characters. What might they chat about? Pay particular attention to your characters' speech patterns. What do these suggest about your characters' beliefs and values, as well as those of the society they represent?
Tuesday, April 15, 2014
For Thursday, April 17
You will select an excerpt or a couple of excerpts from Heart of Darkness. Now you will design a prompt that mimics the AP EXAM using the exerpt as the reading selection given. Finally, you will write a 40 minute essay.
Ideas:
After finding your selection/selections, I would print them out so that you are not having to flip pages, etc.
Next, you will write a prompt that will be appropriate to that excerpt. Here is a template for you to use as a guide.
Ideas:
- cannibals and whites
- dying natives in trees and white chief manager (the white man who wears white and has white hands in Chapter 1)
- "The Hollow Men" and Kurtz/Marlow/ OR Existentialism (you will not have room for all three)
- Kurtz's two women (the Intended and the Savage Woman)
- the wilderness/jungle as a character that brings about change in Kurts or Marlow or both
- man's depravity without cultural and spiritual boundaries
- Kurtz's epiphany vs. Marlow's inaction
After finding your selection/selections, I would print them out so that you are not having to flip pages, etc.
Next, you will write a prompt that will be appropriate to that excerpt. Here is a template for you to use as a guide.
Carefully read the following excerpt from the novel Under the Feet of Jesus by Helena María Viramontes. Then write a well-organized essay in which you analyze the development of Estrella’s character. In your analysis, you may wish to consider such literary elements as selection of detail, figurative language, and tone.
Collect your thoughts~mark your quotes, etc.
Finally, set your timer for 40 minutes. Begin writing your essay.
Sunday, April 13, 2014
For Tuesday, April 15
Finish reading The Heart of Darkness. Mark every reference to Kurtz as a hollow man, a shade, a shadow. Mark places where the setting (the jungle) takes over Kurtz and or Marlow.
Things to Think About:
Kurtz has an epiphany; what is it? Does Marlow have an epiphany? Where do we leave Marlow at the end of the story?
Writing Assignment: Look at the artwork below. Select your favorite. In a brief paragraph, tell me how the artwork relates to "The Hollow Men" and/or Heart of Darkness.
Things to Think About:
Kurtz has an epiphany; what is it? Does Marlow have an epiphany? Where do we leave Marlow at the end of the story?
Writing Assignment: Look at the artwork below. Select your favorite. In a brief paragraph, tell me how the artwork relates to "The Hollow Men" and/or Heart of Darkness.
Thursday, April 10, 2014
For Friday, April 11
Thursday, April 3, 2014
For Wednesday, April 9
Tuesday, April 1, 2014
For Thursday, April 3
Finish reading Chapter 1 of Heart of Darkness.
I encourage you to read slowly...try to catch the nuances of Conrad's language:
try to hear the irony,
look for the ways the setting/the land acts as a character in the novel-what does it do,
recogize allusions (Mephistophecles, Eldorado Exploring Expedition),
pay attention to each juxtaposition and paradox,
notice Marlow's tendency to reflect on self and then reject that self-reflection for work,
note where the actual narrator speaks rather than Marlow.
Write on your own notebook paper everything Marlow finds out about Kurtz. Look through all of chapter 1 for making this list.
I encourage you to read slowly...try to catch the nuances of Conrad's language:
try to hear the irony,
look for the ways the setting/the land acts as a character in the novel-what does it do,
recogize allusions (Mephistophecles, Eldorado Exploring Expedition),
pay attention to each juxtaposition and paradox,
notice Marlow's tendency to reflect on self and then reject that self-reflection for work,
note where the actual narrator speaks rather than Marlow.
Write on your own notebook paper everything Marlow finds out about Kurtz. Look through all of chapter 1 for making this list.
Thursday, March 27, 2014
For Tuesday, April 1
Read Heart of Darkness through the paragraph that begins "He began to speak as soon as he saw me" and ends with "Afterwards I took it back when it was borne in upon me startlingly with what extreme nicety he had estimated the time requisite for the "affair."
Pay close attention to the use of irony when Conrad describes the white "in charge" people. The words say one thing, but we should hear the sarcasm/irony underneath. Mark every use of irony that you see.
Blessings,
Mrs. Fox
Pay close attention to the use of irony when Conrad describes the white "in charge" people. The words say one thing, but we should hear the sarcasm/irony underneath. Mark every use of irony that you see.
Blessings,
Mrs. Fox
Monday, March 24, 2014
For Wednesday, February 26
Some definers for literary styles:
T. S. Eliot-Fragmentation
•Rather than trying to simplify and abstract a particular meaning from experience, novelists tend to wallow in the multiplicity of ideas and meanings and sensations that experience can provide.
•Their purpose is to get the reader to re-live an experience, with all its complexity and messiness, all its darkness and ambiguity.
Expect a quick quiz over the details of impressionist literature.
Read Heart of Darkness, by Joseph Conrad. If you are reading in your textbook, you will read through the first paragraph of page 373. If you are reading in another text, you will read about 14 paragraphs. The last sentence you will read is: "'I suppose you fellows remember I did once turn fresh-water sailor for a bit,' that we knew we were fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences."
Now create a picture (with crayolas or colored pencils) that captures the setting of these first paragraphs in Heart of Darkness.
T. S. Eliot-Fragmentation
Andrew Marvell-Metaphysical-Neo-Classical
Joseph Conrad-Impressionist Literature
The paintings above are examples of impressionism. Impressionism was also a trend in literature during the early 1900s. Here is a description below.
Why the blurriness?
*For modern novelists, the messiness and confusion and darkness of experience is interesting.
•Rather than trying to simplify and abstract a particular meaning from experience, novelists tend to wallow in the multiplicity of ideas and meanings and sensations that experience can provide.
•Novelists are in the business of recreating and communicating the rich complexities of the experience itself.
•Their purpose is to get the reader to re-live an experience, with all its complexity and messiness, all its darkness and ambiguity.
Expect a quick quiz over the details of impressionist literature.
Read Heart of Darkness, by Joseph Conrad. If you are reading in your textbook, you will read through the first paragraph of page 373. If you are reading in another text, you will read about 14 paragraphs. The last sentence you will read is: "'I suppose you fellows remember I did once turn fresh-water sailor for a bit,' that we knew we were fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences."
Now create a picture (with crayolas or colored pencils) that captures the setting of these first paragraphs in Heart of Darkness.
Thursday, March 20, 2014
For Monday, March 24
HOMEWORK:
Complete the multiple choice packet I gave you in class today. Set your timer for one hour. If your timer goes off before you finish the entire packet, draw a line under the last question answered and go on until you complete each question.
Good tips for upcoming exam:
Review great literature you have read in the past. So look at sparknotes for Hamlet, Tale of Two Cities, All Quiet on the Western Front, Romeo and Juliet, Things Fall Apart, Till We Have Faces, 1984, Macbeth, Beowulf, and Metamorphosis. The novels and plays most often listed as options for question 3 are underlined. I have written the college board in the past, and they acknowledge Till We Have Faces as a quality option for Question 3 essays.
Coming up: We will read Heart of Darkness and Antigone which are both excellent choices for many question 3 prompts. My suggestion is this: Select a few (3)
of the things you have enjoyed during your reading history...really brush up on those works...then, you will be well prepared for question 3 of the exam.
Complete the multiple choice packet I gave you in class today. Set your timer for one hour. If your timer goes off before you finish the entire packet, draw a line under the last question answered and go on until you complete each question.
Good tips for upcoming exam:
Review great literature you have read in the past. So look at sparknotes for Hamlet, Tale of Two Cities, All Quiet on the Western Front, Romeo and Juliet, Things Fall Apart, Till We Have Faces, 1984, Macbeth, Beowulf, and Metamorphosis. The novels and plays most often listed as options for question 3 are underlined. I have written the college board in the past, and they acknowledge Till We Have Faces as a quality option for Question 3 essays.
Coming up: We will read Heart of Darkness and Antigone which are both excellent choices for many question 3 prompts. My suggestion is this: Select a few (3)
of the things you have enjoyed during your reading history...really brush up on those works...then, you will be well prepared for question 3 of the exam.
Tuesday, March 18, 2014
For Thursday, March 20
You do not have homework.
We will begin class on Thursday with a 40 minute timed writing. Review the skills necessary for writing a well structured and interesting essay.
Think:
Start by jotting down a quick outline of your thoughts
Thesis-must be interpretive
Paragraphs need interpretive topic sentences
Body Paragraphs: should include quotations sandwiches that provide quality interpretation of examples that prove the argument set forth in the thesis
Embedded quotes are a great way to show your interaction with the author
A strong conclusion is a must-make sure I understand your argument
An introduction is helpful but not absolutely necessary for an upper level essay
After completing the timed writing, you will spend the remainder of the class period doing your team work over "The Conversion of the Jews."
We will begin class on Thursday with a 40 minute timed writing. Review the skills necessary for writing a well structured and interesting essay.
Think:
Start by jotting down a quick outline of your thoughts
Thesis-must be interpretive
Paragraphs need interpretive topic sentences
Body Paragraphs: should include quotations sandwiches that provide quality interpretation of examples that prove the argument set forth in the thesis
Embedded quotes are a great way to show your interaction with the author
A strong conclusion is a must-make sure I understand your argument
An introduction is helpful but not absolutely necessary for an upper level essay
After completing the timed writing, you will spend the remainder of the class period doing your team work over "The Conversion of the Jews."
Wednesday, March 5, 2014
For Tuesday, March 18
Our next novel will be Heart of Darkness by Joseph Conrad. You can find this novel in your textbook; you can download it for free on Kindle, or you can purchase it from a local bookstore. We will begin this novel right after spring break. As a preview, look up some impressionist paintings. Pick a favorite, write down the title to share with class.
"Conversion of the Jews", by Phillip Roth Identify the themes in the story.
Before returning to class next on March 18, select a favorite from these three.
On Tuesday, you will finish your Pairs-Essay over House on Mango Street. You might do a quick mental review on Monday night, so you are ready to go Tuesday morning.
Finally, over spring break, I want you to read three short stories. You do not need to write anything for any of the stories, but annotations in your margin would be helpful as we'll look at these stories upon our return. I have included a few questions to GUIDE your reading. Here are the selections:
"Moths", by Helen Verimontes As with House on Mango Street, this story focuses on a particular culture. The symbolism of the moths is exceptionally strong...what do you think they represent in the story? How does the work Abuelita asks the narrator to do--planting, cooking--help the teenager deail with her pent-up anger?
"Ring of Time", by E.B. White As we did with Prufrock, examine the nature of time in this story. What do you believe White is saying about time and, maybe even, the suspension of time.
"Conversion of the Jews", by Phillip Roth Identify the themes in the story.
Before returning to class next on March 18, select a favorite from these three.
Monday, March 3, 2014
For Wednesday, March 5
Look at the previous post. Make sure to complete all of the House on Mango Street homework. We will have a round table discussion on Wednesday, much like we did today, over the homework. Remember this is a vital read for Questions 3, as well we, excellent practice connecting literary device to meaning.
Thursday, February 27, 2014
For Monday, March 2
Due on Monday, March 3. 6 of the 11 Prufrock questions. Remember, this is a major grade. Take your time with each question. Structure answers as if you are writing quotation sandwiches.
Great class today. I love digging deep into the works of literature we are reading.
Due Wednesday, March 5
Finish reading The House on Mango Street. That should be about 40 pages or so. We left off at page 66. So start with "Edna's Ruthie". You could probably read all of these pages in an hour or maybe even less; however, do not discount the fact that the vignettes "tell much more than they say"...this should remind you of a recently read poem.
Select three of the vignettes that affect you emotionally. Some of my favorites are: "Four Skinny Trees", "Bums in the Attic", "The Monkey Garden", and "Red Clowns".
Great class today. I love digging deep into the works of literature we are reading.
Due Wednesday, March 5
Finish reading The House on Mango Street. That should be about 40 pages or so. We left off at page 66. So start with "Edna's Ruthie". You could probably read all of these pages in an hour or maybe even less; however, do not discount the fact that the vignettes "tell much more than they say"...this should remind you of a recently read poem.
Select three of the vignettes that affect you emotionally. Some of my favorites are: "Four Skinny Trees", "Bums in the Attic", "The Monkey Garden", and "Red Clowns".
Tuesday, February 25, 2014
For Monday, March 3
MAKE SURE TO BRING HOUSE ON MANGO STREET TO CLASS ON THURSDAY!!! NO EXCUSES.
Answer six (6) of the following questions regarding "Love Song of J. Alfred Prufrock." (That equals one question a night until I see you next.) Write in paragraph form/complete sentences. Try to think of your answers as quotation sandwiches: set up context, cite the poem, interpret your citation. Dig deep and this will be an excellent exercise in analytical thinking and writing.
SKILL FOCUS: DETAIL
1. How does Eliot set the tone in the poem's first stanza? Look carefully at both the figurative language and the concrete details.
SKILL FOCUS: IMAGERY
2. Eliot depends on the emotional associations of his images, what he called the "objective correlative," to reveal aspects of Prufrock's personality. In the first stanza, what emotions do you associate with images such as "patient etherized on a table" or "one-night cheap hotels"?
SKILL FOCUS: DETAIL/IMAGERY/FIGURATIVE LANGUAGE
3. Prufrock is a deeply self-conscious character. Explain the various ways that characteristic is developed in lines 37-72. Consider especially lines 55-58, in which Prufrock imagines himself pinned like a specimen to a wall. (You could probably write an entire essay on the associations made between Prufrock's physical descriptions and their connection to his emotional state.)
SKILL FOCUS: REPETITION
4. From line 37-87, twelve lines begin with "And." What does the repetition of this conjunction suggest about Prufrock's mental state? Consider in your study of repetition the word "known" in lines 49-49.
SKILL FOCUS: SYNTAX
5. What is the effect of the semi-colons and ellipses in lines 111-121? What do they tell you about Prufrock's state of mind?
SKILL FOCUS: SYNTAX
6. Eliot uses the technique of enjambment, or run on lines. An example is in the lines 5-9: "The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent." How does this technique help create the alienating quality of the city scene that's set in the first 22 lines.
SKILL FOCUS: ALLUSION
7. In line 111, Prufrock readily admits he is no Hamlet. What might have led the reader to believe that Prufrock and Hamlet share characteristics? (Be specific) What characteristics of Hamlet does Prufrock claim not to have?
SKILL FOCUS: DETAIL
8. Details such as Prufrock's assertion that he will "wear the bottom of his trousers rolled" or his question about whether he should "dare to eat a peach" have been interpreted in many ways. Some say it's about his age or "oldness"; others say it is about his nervousness around women. Consider several possibilities. How does each add to the portrait of Prufrock and the multiple meanings of Eliot's poem?
SKILL FOCUS: ALLUSION
9. In the last six lines of this poem for a sestet (6 lines), the form that both ends the traditional Petrarchan sonnet and offers a solution for the problem or conflict set out in the first eight liens (the octave). The poet Petrarch wrote about his unrequited love for Laura, but Prufrock doesn't even have an unrequited love. Do these last six lines offer any solutions? How does the image of mermaids continue some of the poem's motifs? What does it mean that Prufrock invites the reader to drown with him at the end of the poem?
SKILL FOCUS: REPETITION
10. In what ways is "The Love Song of J. Alfred Prufrock" a poem about time? Read through the poem and look for references to time, including aging, the meaning of time, and the word time itself. What conclusions can you draw about the way Eliot thinks about time?
SKILL FOCUS: REPETITION
11. Highlight every reference to question/questions, as well as, every question asked. Do you see any connections? What conclusions do you deduce from this analysis of "the questions"?
Answer six (6) of the following questions regarding "Love Song of J. Alfred Prufrock." (That equals one question a night until I see you next.) Write in paragraph form/complete sentences. Try to think of your answers as quotation sandwiches: set up context, cite the poem, interpret your citation. Dig deep and this will be an excellent exercise in analytical thinking and writing.
SKILL FOCUS: DETAIL
1. How does Eliot set the tone in the poem's first stanza? Look carefully at both the figurative language and the concrete details.
SKILL FOCUS: IMAGERY
2. Eliot depends on the emotional associations of his images, what he called the "objective correlative," to reveal aspects of Prufrock's personality. In the first stanza, what emotions do you associate with images such as "patient etherized on a table" or "one-night cheap hotels"?
SKILL FOCUS: DETAIL/IMAGERY/FIGURATIVE LANGUAGE
3. Prufrock is a deeply self-conscious character. Explain the various ways that characteristic is developed in lines 37-72. Consider especially lines 55-58, in which Prufrock imagines himself pinned like a specimen to a wall. (You could probably write an entire essay on the associations made between Prufrock's physical descriptions and their connection to his emotional state.)
SKILL FOCUS: REPETITION
4. From line 37-87, twelve lines begin with "And." What does the repetition of this conjunction suggest about Prufrock's mental state? Consider in your study of repetition the word "known" in lines 49-49.
SKILL FOCUS: SYNTAX
5. What is the effect of the semi-colons and ellipses in lines 111-121? What do they tell you about Prufrock's state of mind?
SKILL FOCUS: SYNTAX
6. Eliot uses the technique of enjambment, or run on lines. An example is in the lines 5-9: "The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent." How does this technique help create the alienating quality of the city scene that's set in the first 22 lines.
SKILL FOCUS: ALLUSION
7. In line 111, Prufrock readily admits he is no Hamlet. What might have led the reader to believe that Prufrock and Hamlet share characteristics? (Be specific) What characteristics of Hamlet does Prufrock claim not to have?
SKILL FOCUS: DETAIL
8. Details such as Prufrock's assertion that he will "wear the bottom of his trousers rolled" or his question about whether he should "dare to eat a peach" have been interpreted in many ways. Some say it's about his age or "oldness"; others say it is about his nervousness around women. Consider several possibilities. How does each add to the portrait of Prufrock and the multiple meanings of Eliot's poem?
SKILL FOCUS: ALLUSION
9. In the last six lines of this poem for a sestet (6 lines), the form that both ends the traditional Petrarchan sonnet and offers a solution for the problem or conflict set out in the first eight liens (the octave). The poet Petrarch wrote about his unrequited love for Laura, but Prufrock doesn't even have an unrequited love. Do these last six lines offer any solutions? How does the image of mermaids continue some of the poem's motifs? What does it mean that Prufrock invites the reader to drown with him at the end of the poem?
SKILL FOCUS: REPETITION
10. In what ways is "The Love Song of J. Alfred Prufrock" a poem about time? Read through the poem and look for references to time, including aging, the meaning of time, and the word time itself. What conclusions can you draw about the way Eliot thinks about time?
SKILL FOCUS: REPETITION
11. Highlight every reference to question/questions, as well as, every question asked. Do you see any connections? What conclusions do you deduce from this analysis of "the questions"?
Friday, February 21, 2014
For Monday, February 24
Task #1: Take out or print out a copy of "The Love Song of J. Alfred Prufrock."
Task #2: Read through the poem once. Slowly.
Task #3: Look up a You Tube video of Eliot reading his famous poem.
http://www.youtube.com/watch?v=JAO3QTU4PzY
Task #4: Next: Read this excerpt from your textbook:
"'The Love Song of J. Alfred Prufrock' is like a collage, a work of visual art created by materials and objects glued to a flat surface. In poetry this technique is called fragmentation, a favorite technique of the modernists. The fragments come together--or don't--in a way that mirrors the fragmented, chaotic modern world. In the fourth stanza, for example, what is the effect of fragments such as "yellow smoke," "murder and create," "visions and revisions," and "toast and tea" appearing together? Do they form a new picture, or are their effects fragmentary? How do the fragments communicate Eliot's vision of a modern man in a modern city?"
Task #5: This weekend, I want you to create a collage (pencil drawing, magazine pictures, words, internet pictures, a combination of all) using some of the images from "Prufrock." Use images that connect with you in some way. (I would say to use a minimum of 5 images although you can use 100. The more images you use, the more intimate you will be with the poem.)
Task #6: On the back of your collage or on a separate sheet of paper, explain your choices. How do you connect with the images? Make it personal. You could also include ideas about theme and characterization.
You will present your collages on Monday. I cannot wait to see what you come up with. We will tackle the analysis together, but this is a great way to start!
Task #2: Read through the poem once. Slowly.
Task #3: Look up a You Tube video of Eliot reading his famous poem.
http://www.youtube.com/watch?v=JAO3QTU4PzY
Task #4: Next: Read this excerpt from your textbook:
"'The Love Song of J. Alfred Prufrock' is like a collage, a work of visual art created by materials and objects glued to a flat surface. In poetry this technique is called fragmentation, a favorite technique of the modernists. The fragments come together--or don't--in a way that mirrors the fragmented, chaotic modern world. In the fourth stanza, for example, what is the effect of fragments such as "yellow smoke," "murder and create," "visions and revisions," and "toast and tea" appearing together? Do they form a new picture, or are their effects fragmentary? How do the fragments communicate Eliot's vision of a modern man in a modern city?"
Task #5: This weekend, I want you to create a collage (pencil drawing, magazine pictures, words, internet pictures, a combination of all) using some of the images from "Prufrock." Use images that connect with you in some way. (I would say to use a minimum of 5 images although you can use 100. The more images you use, the more intimate you will be with the poem.)
Task #6: On the back of your collage or on a separate sheet of paper, explain your choices. How do you connect with the images? Make it personal. You could also include ideas about theme and characterization.
You will present your collages on Monday. I cannot wait to see what you come up with. We will tackle the analysis together, but this is a great way to start!
Wednesday, February 19, 2014
For Friday, February 21
Task #1:
Read through the following questions before reading the poem "The Hollow Men."
- Is there any possibility for salvation for the Hollow Men? Are they capable of saving themselves? Does the poem contain any signs of hope?
- Eliot once described the newspaper editors and politicians of his time in a way that made them sound like "Hollow Men." Does contemporary society have its Hollow Men? Would you associate them with a particular social group?
- Do you find it offensive or arrogant of Eliot to judge other people so harshly? Does the fact that he does so with an imaginary group in a poem make a difference?
- Where are the Hollow Men's eyes?
- Do you think the Hollow Men will make it across the River Styx, or are they trapped forever in the desert?
- Do you agree that people who are too timid to do bad things and who only look out for themselves are more despicable than people who actively commit evil? Do you see a difference between the two forms of badness?
Task #2:
Read and annotate the poem a section at a time.
After reading each section, stop. Go back and annotate the section for meaning, stop.
Write a sentence about the meaning or images of the section. Do this for each of the five sections.
Task #3:
Go back to the questions above. Read all 6 questions again. Choose two of the questions to answer in writing. Be detailed with your answers...write quotations sandwiches within your answer. Some of the questions may feel like opinion; use the poem to back up or refute your opinion.
Thursday, February 13, 2014
For Wednesday, February 19
We will begin reading Heart of Darkness by Joseph Conrad within the next couple of weeks. This novel is in your textbook. I find it a little difficult to read in the textbook because the pages are long, and the print is small. You decide. If you would rather purchase a copy of the novel in paperback, or for Kindle, or read it online, that is great with me.
Task #1
Write a 40 minute essay over the poem "All My Pretty Ones" by Anne Sexton. Before setting your timer, read the poem again looking over your annotations. You will be writing on the speaker's changing perspective of her father. Look at each album the speaker goes through. The first, she discards. The second, she "throw[s] out. The next, she ________, and finally, she _________.
Her emotions go from bitterness (maybe) to forgiveness. How? Why?
After your careful review, set the timer.
Write a well-developed essay in which you analyze how Sexton conveys the speaker's changing perspective of her father through the use of allusion, imagery/metaphor, and tone.
Task #2
Find the Sylvia Plath poem entitled "Daddy"on the internet. Read and annotate the poem. Consider the tone of this poem in comparison to Sexton's poem. Do the speaker's feeling change throughout the poem? What is the tone? Annotate comparison of father to history, images that suggest the speaker lacks value.
Your textbook has this note about this poem: "Plath has said of 'Daddy': 'The poem is spoken by a girl with an Electra complex. Her father died while she thought he was God. Her case is complicated by the fact that her father was also a Nazi and her mother very possibly part-Jewish. In the daughter the two strains marry and paralyze each other--she has to act out the awful little allegory before she is free of it.' How does this commentary by the poet influence your reading of the poem?"
http://en.wikipedia.org/wiki/Electra_complex
Again,come ready to discuss!
Task #1
Write a 40 minute essay over the poem "All My Pretty Ones" by Anne Sexton. Before setting your timer, read the poem again looking over your annotations. You will be writing on the speaker's changing perspective of her father. Look at each album the speaker goes through. The first, she discards. The second, she "throw[s] out. The next, she ________, and finally, she _________.
Her emotions go from bitterness (maybe) to forgiveness. How? Why?
After your careful review, set the timer.
Write a well-developed essay in which you analyze how Sexton conveys the speaker's changing perspective of her father through the use of allusion, imagery/metaphor, and tone.
Task #2
Find the Sylvia Plath poem entitled "Daddy"on the internet. Read and annotate the poem. Consider the tone of this poem in comparison to Sexton's poem. Do the speaker's feeling change throughout the poem? What is the tone? Annotate comparison of father to history, images that suggest the speaker lacks value.
Your textbook has this note about this poem: "Plath has said of 'Daddy': 'The poem is spoken by a girl with an Electra complex. Her father died while she thought he was God. Her case is complicated by the fact that her father was also a Nazi and her mother very possibly part-Jewish. In the daughter the two strains marry and paralyze each other--she has to act out the awful little allegory before she is free of it.' How does this commentary by the poet influence your reading of the poem?"
http://en.wikipedia.org/wiki/Electra_complex
Again,come ready to discuss!
Tuesday, February 11, 2014
Friday, February 7, 2014
For Monday, February 10
Macbeth Director's Notebook
Due Date: Thursday, February 13
This will be our complete focus from now until February 13.
Although, we will watch scene performances on Monday for the following students:
Garrett and Emily Clark
John and Emily Tyminski
Copy of Directions for Director's Notebook Here:
Due Date: Thursday, February 13
This will be our complete focus from now until February 13.
Although, we will watch scene performances on Monday for the following students:
Garrett and Emily Clark
John and Emily Tyminski
Copy of Directions for Director's Notebook Here:
Macbeth-Motif
Mrs. Fox
AP Literature and Composition
7 January 2014
Macbeth Director’s Notebook
~Literary Device
Focus: Motif~
DUE DATE: BOP February 3 or 4,
2014
You will design a Director’s Notebook in which you will
record insights about the delivery of lines, costuming, characterization,
staging, music, set, and prop choices. Your
“notes” will include the ways in which your scene highlights Shakespeare’s use
of your chosen motif. Your “notes” will
also show how Shakespeare’s use of this motif adds to the play’s meaning.
Required Contents
of Notebook:
1. Script:
Obtain a copy of your scene, and print it on 8 1/2 X 11 copy paper. Make sure to have enough space to include
director’s notes. Paste and copy from
the web. Annotations should include:
·
Vocal pauses, stresses, and inflections
·
Tone of voice
·
Gestures and facial expressions (those that are
explicit in the script as well as those that are not)
·
Notes or diagrams of actions and movements
·
Definitions of words or phrases that you do not
understand; explain phrases that might help your actors understand their lines
(Format:
annotations on the script)
2. Costumes: Design two costumes. Your scene may have more than two
actors. Choose the most significant
roles for this portion of your project.
Remember that cost is no object.
You can label your illustration designating fabrics, colors, materials,
and purpose.
(Format: two
labeled drawings; two separate pages; you might include color swatches, fabric
swatches, beads, material samples-anything that will help me understand your
design concept.)
3. Analysis: (500-750 words
or two pages) Write an analysis for the
main character of your scene. I think
that Macbeth or Lady Macbeth should be your choice because this Shakespearean
tragedy centers on these two; they affect and are affected by the motifs we have
selected.
Use literary analysis format for body paragraphs. Answer the question: How does the motif of _______________________
highlight ________________________’s characterization? Example:
Macbeth’s desire for power becomes apparent when
________________________________________.
You only need to use your scene; however, referring to other parts of
the play that confirm your argument is encouraged.
Required: embedded
quotations and interpretations. (minimum
of six concrete examples)
(Format: 500-750 words or two pages, typed, 12 pt
Times New Roman, MLA format for quotes; Works Cited page)
4. Staging: Sketch the plan for your set. Include light set and cues for your
scene. Label your set to illustrate
purpose. Your set should “set” the
mood/tone and highlight any symbolism found in the text.
(Format: A
labeled sketch on 8 ½ X 11 sheet of copy paper)
5. Props: Make a list of props needed for each
character. If you are using a prop that
relates to the symbolism or use of motif within the text, make sure to point
that out.
(Format: Typed
listing by character-label items as to purpose/meaning)
6. Music
and Sound Effects: Select
appropriate music to play as an introduction to your performance—maybe as the
curtain rises. The music may continue
through the scene. Remember action,
character, and mood should guide your selection. Give reasons for the selections.
Outline the music choices using partial lines as music
cues. I usually will use a music note on
my script to indicate a music cue. You
may include these cues on your annotated script.
7. Casting:
A list of student actors matched with roles in your scene.
(Format: List on
its own page)
8. Cover: Label:
Directors Notebook: Macbeth Act ____, Scene ______
Director:
___________________________
PRODUCER’S ADVICE:
Show your understanding of Shakespeare’s techniques and your knowledge
of literary analysis throughout your notebook.
Labeling your choices with purpose communicates this understanding and
adds depth to your performance.
Remember that an “A” means superior in all parts.
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